Posts tagged “infodesign”

ChittahChattah Quickies

  • [from julienorvaisas] Data Visualization/Communication [Lauren Manning Design] – [Manning has done a lot of work to provide these instructive visualizations. The approaches privilege different aspects of the data. Which ones tell the strongest story? I am a fan of those that include actual images of the foods; they seem to require one layer less to decode. French Fry Consumption by Month is terrific!] Data sets vary tremendously, so one man’s brilliant solution can be another’s complete failure. Instead of seeing many excellent visualizations of all different data sets, what if you could see tons of visualizations of the same data set? Using a data set created from two years of meticulous life documenting, I visualized one point of data – food consumed – over forty ways. Exploring various methods, techniques, styles, degrees of complexity, degrees of additional context and many other elements, a true “apples to apples” comparison has emerged.

ChittahChattah Quickies

  • [from julienorvaisas] Awful elevator panel design [Boing Boing] – [Another entrant in what is becoming a theme on this blog: how-complicated-does-it-have-to-be-to-go-up-and-down?] Robyn Miller took this photo of a poorly designed elevator control panel.
  • [from julienorvaisas] David Hockney’s instant iPad art [BBC News] – [Now that's a convincing interface and experience.] "Who wouldn't want one? Picasso or Van Gogh would have snapped one up," the artist David Hockney tells me at the opening of his latest show in Paris called Fleurs Fraiches, or Fresh Flowers. "It's a real privilege to make these works of art through digital tools which mean you don't have the bother of water, paints, and the chore of clearing things away," he says. "You know sometimes I get so carried away, I wipe my fingers at the end thinking that I've got paint on them."
  • [from steve_portigal] Doonesbury Turns 40 [Rolling Stone] – [One of the most surprising bits in this Chip Kidd interview with Garry Trudeau. As consumers, we constantly make the mistake of conflating the artist with their art, the producer with their product. We know the material – sometimes very well – and so we really think we know the maker equally well. Trudeau reminds us, once again, that in least one critical way, we don't] I'm never happier than when I'm not working. The strip is a job ­ that's why I take money for it. It's a job I'm passionate about, but it's a job I totally leave in the studio when I walk out of here, unless I'm late and I have to work at home. I never think of the strip unless I'm compelled to.


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