Posts tagged “criticism”

ChittahChattah Quickies

  • [from steve_portigal] MOBA : The Museum of Bad Art – Art Too Bad To Be Ignored – [The web is full of snark, but this manages to make fun of the “bad” while keep the tone fun and somehow inclusiveThe Museum Of Bad Art (MOBA) is the world's only museum dedicated to the collection, preservation, exhibition and celebration of bad art in all its forms. The pieces in the MOBA collection range from the work of talented artists that have gone awry to works of exuberant, although crude, execution by artists barely in control of the brush. What they all have in common is a special quality that sets them apart in one way or another from the merely incompetent. [Thanks, Mom!]

ChittahChattah Quickies

  • Social science meets computer science at Yahoo [SF Chronicle] – Yahoo Labs has bolstered its ranks of social scientists, adding highly credentialed cognitive psychologists, economists and ethnographers from top universities around the world. At approximately 25 people, it's still the smallest group within the research division, but one of the fastest growing.

    The recruitment effort reflects a growing realization at Yahoo that computer science alone can't answer all the questions of the modern Web business. As the novelty of the Internet gives way, Yahoo and other 21st century media businesses are discovering they must understand what motivates humans to click and stick on certain features, ads and applications – and dismiss others out of hand.

    Yahoo Labs is taking a scientific approach to these questions, leveraging its massive window onto user behavior to set up a series of controlled experiments (identifying information is always masked) and employing classic ethnography techniques like participant observation and interviews.

  • Domino’s "The Pizza Turnaround" [YouTube] – Domino's Pizza uses customer research to spawn product redevelopment, and then uses that process to promote their improved product. Note the negative quotes posted on the walls of their office.

ChittahChattah Quickies

  • If you choose not to decide, you still have made a choice: the appeal of simplification by choice elimination – At the bottom of the Heaven's Dog cocktail list there's a category called "Freedom from Choice," where you leave it up to the bar staff to decide your drink. Diners choose the spirit they'd like and whether it should be "citrus-driven or spirituous."
  • Home + Housewares Show 2009…in Cartoons! – Pithy, brilliant, hilarious. Applies pretty much to every tradeshow I've ever been to.
  • Ask Jeremiah: The Comprehensive FAQ Guide to Twitter – It's a great document, but an online FAQ on someone's site is good for the type of user who is going to seek this document out…the mass adoption from Twitter is not going be as well supported by documents like this as it would be through the experience that Twitter itself creates
  • Lisa Smith and Caroline Linder at the Home + Housewares Show 2009 – "a maze of the bizarre and the banal, including picture frame air fresheners, pet hair picker-uppers, fingerprintless garbage cans, antibacterial marinaters, high-power vacuum cleaners, automatic hair-cutters, gas-powered blenders, anti-static dusters and instant boot dryers."
    "the spectacle is especially nightmarish; it represents the darker side of our discipline–product design gone wild and unchecked in the marketplace"
    "Who knew that both Miami Vice and the Southwestern pottery craze are preserved within the wide color range of KitchenAid Mixers?"
    "Q: How did you pick these forms? A:Oh, these are historical forms that we made up.""

The art of a society reflects the society

David Denby deconstructs Knocked Up and the entire sub-genre he calls slacker-striver romance. He considers American culture over the decades and how relationships between the sexes were depicted on screen during those different periods.

Apatow has a genius for candor that goes way beyond dirty talk-that’s why “Knocked Up” is a cultural event. But I wonder if Apatow, like his fumy youths, shouldn’t move on. It seems strange to complain of repetition when a director does something particularly well, and Apatow does the infantilism of the male bond better than anyone, but I’d be quite happy if I never saw another bong-gurgling slacker or male pack again. The society that produced the Katharine Hepburn and Carole Lombard movies has vanished; manners, in the sense of elegance, have disappeared. But manners as spiritual style are more important than ever, and Apatow has demonstrated that he knows this as well as anyone. So how can he not know that the key to making a great romantic comedy is to create heroines equal in wit to men? They don’t have to dress for dinner, but they should challenge the men intellectually and spiritually, rather than simply offering their bodies as a way of dragging the clods out of their adolescent stupor.

Bitchy review of Rosie in Fiddler

Bitchy review of Rosie in Fiddler

Here are instructions for transforming yourself into a Jewish matriarch in provincial Russia in 1905, inspired by Rosie O’Donnell’s performance in “Fiddler on the Roof” at the Minskoff Theater. Feel free to try this at home.

1. Plant yourself on the floor as if you were an oak.
2. Puff out your chest.
3. Place the palm of your left hand on the back of your left hip.

And, voilÔø?!, you have instant Golde, the wife of Tevye, the philosopher-milkman in the musical adaptation of Sholom Aleichem’s stories of shtetl life in the twilight of imperial Russia. Just strike that commanding maternal pose and all other essential elements of character will soon arrive naturally. It might help if you prayed a little, too.

That would seem to be Ms. O’Donnell’s approach to a role previously played by Randy Graff and Andrea Martin in David Leveaux’s elegant but empty revival of this much-loved show by Joseph Stein, Jerry Bock and Sheldon Harnick. Alas, a pose and a prayer prove to be not quite enough to allow Ms. O’Donnell – the comedian, television personality, theatrical producer, sometime actress and confessional blogger – to make us believe that she is someone other than who she so famously is.

Her accent trots the globe, through countries real and imagined. It is variously Irish, Yiddish, Long Island-ish and, for big dramatic moments, crisp and round in the style of introduction-to-theater students. Her relationship with the notes and keys of a song is similarly fluid.

In the scene where Tevye (Harvey Fierstein) frightens his wife by describing an ominous dream, Ms. O’Donnell puts her hands to her pinchable cheeks and emanates a series of high-pitched o’s, bringing to mind a distressed dolphin. Whether center stage or on the sidelines, she can be relied upon to react with italicized gestures and facial expressions to what everyone else is saying.

Ms. O’Donnell, who has previously appeared on Broadway as a tough teenager in “Grease” and the Cat in the Hat in “Seussical,” executes all this with a cheerful confidence that is unfortunately not infectious. A stalwart promoter of Broadway when she was a television talk show host, Ms. O’Donnell does seem to be enjoying herself.

But as is usual with her stage performances, she suggests a jill-of-all-trades who thought she might as well try her hand at acting, too. The overall impression brings to mind what might happen if the lead in a high school production fell ill and the director turned to the most popular and reliable girl in the senior class (who is already the captain of the field hockey team, the debating society and the pep club) to fill in.


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